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	<title>Elite Music Management News Blog &#187; Killer Review</title>
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		<title>FREAKS VS ROBERT OWENS &#8216;RIGHT NOW&#8217; (REBIRTH) &#8211; DJMag&#8217;s Review Killer!!</title>
		<link>http://www.elitemm.co.uk/newsblog/freaks/freaks-vs-robert-owens-right-now-rebirth-djmags-review-killer/</link>
		<comments>http://www.elitemm.co.uk/newsblog/freaks/freaks-vs-robert-owens-right-now-rebirth-djmags-review-killer/#comments</comments>
		<pubDate>Wed, 10 Mar 2010 14:20:28 +0000</pubDate>
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				<category><![CDATA[FREAKS]]></category>
		<category><![CDATA[DJMAG REVIEW]]></category>
		<category><![CDATA[Killer Review]]></category>
		<category><![CDATA[Right Now]]></category>
		<category><![CDATA[Robert Owens]]></category>

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		<description><![CDATA[Freaks Vs Robert Owens &#8211; Right Now (Rebirth) &#8211; DJMag&#8217;s review killer &#8220;These tenacious musical miscreants are back and firing on all cylinders, if &#8216;Right Now&#8217; is anything to go by. Luke Solomon and Justin harris may have been under the radar for a minute, but they&#8217;ve been hard at work, and this team up [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.elitemm.co.uk/freaks.php"><img class="alignleft size-full wp-image-834" title="Freeks right now" src="http://www.elitemm.co.uk/newsblog/wp-content/uploads/Freeks-right-now3.jpg" alt="Freeks right now" width="450" height="450" /></a><strong>Freaks Vs Robert Owens &#8211; Right Now (Rebirth) &#8211; DJMag&#8217;s review killer</strong></p>
<p>&#8220;These tenacious musical miscreants are back and firing on all cylinders, if &#8216;Right Now&#8217; is anything to go by. Luke Solomon and Justin harris may have been under the radar for a minute, but they&#8217;ve been hard at work, and this team up with the distinctive voice behind classics like &#8216;Tears&#8217; and &#8216;Bring Down The Walls&#8217; puts them firmly on the house music front line. A typically rich, emotive timbre from Owens, a vintage Chicago bassline, and bustling precussion conjure a feeling of spiritual connection and celbration as well as bittersweet melancholy, tears on the dancefloor, that transient capturing of a moment in time that only the best house records are capable of evoking&#8221;</p>
<p><strong>DJMag March 2010</strong></p>
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